![]() ![]() As you’d expect, the established 5-pin MIDI In/Out ports and quarter-inch Pedal input are still in place, too.Ĭlearly, the biggest single change made to Maschine for Mk3 is the addition of those big, colourful dual displays: a massive upgrade from Mk2’s narrow, monochrome dot matrix screens. The headphone out goes very loud indeed - good news for on-stage usage scenarios. Small volume and Gain knobs sit alongside them.Īudio quality is great, and on our test Mac, we got round trip latency as low as 4.24ms at 32 samples, 7.87ms at 128 samples, and 25.3ms at 512 samples. The requisite quarter-inch jack sockets are all located on the back panel: Left and Right TRS Line Ins, Left and Right TRS Line Outs, a dynamic Mic In (there’s no phantom power, and this overrides the Left Line In when connected) and a headphone output. The interface itself is nothing remarkable, being a simple 2-in/4-out setup capable of recording and playback at up to 24-bit/96kHz quality, and appearing as a regular audio interface in your operating system and applications, including, of course, Maschine 2. More importantly, though, it means live performers now have one less box to lug around. Not only does this give those working in small home studios - perhaps with Maschine and an audio interface as their only pieces of external hardware - the option to claim back a bit of desk space. It’s been a notable omission since version 1 of the hardware, but finally, NI has taken the obvious step of building an audio interface into Maschine. Sadly, however, Maschine Mk3 still doesn’t have fold-out legs for angling it to suit seated desktop use - only Maschine Studio gets that embellishment. Oh, and there’s a power button now, so you can turn it off without unplugging it. A power supply is included, for ramping up the brightness of the LEDs, should their bus-powered maximum not be enough. Like Mk2, Maschine Mk3 is USB bus-powered - an impressive achievement, given that it not only incorporates two full-colour screens but also an audio interface (see Wired for sound). This gives the whole unit a much classier appearance, making the buttons on all other Maschines look comparatively chunky and toy-like. The LED backlit buttons have been overhauled: all but the Group and top-row function buttons are now solid black with cutout lettering allowing the light through. ![]() It’s 0.25" longer than Mk2, an inch shallower at its deepest, and weighs 0.4kg more. We never had any issue with Mk2’s build quality, but Mk3 takes the device’s physicality to new heights, its all-metal construction, sturdy knobs and firm, clicky buttons putting it right up there with Ableton’s Push 2 - the current controller construction benchmark. Copyrighted logos and trademarks are those of the respective company.Maschine Mk2 made minimal changes to the layout and construction of Mk1, but Maschine Mk3 is a total redesign. We reserve the right to make changes in style, design, features and other specifications without prior notice. However, due the changes in raw materials, typographical errors, design improvements and other factors out of our hands. Internal dimensions lid: 530w x 503d x 56h mm.ĭisclaimer: Walkasse make an effort to ensure the accuracy of all detailed information. Midi Live controller space 432 / 424 w x 350 / 254d mm.Īccesories space: 360w x 280d x 5h mm for acrylic stand + 290w x 410d x 45h mm for laptop computer. Premium 6mm vinyl laminated plywood and fireboard surface 0,8mm. ![]() ![]() Ultra Slim Case (12,6cm height) closed, specially designed to transport live controller Native and Akai. ![]()
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